{"id":51,"date":"2012-01-24T18:18:28","date_gmt":"2012-01-24T17:18:28","guid":{"rendered":"http:\/\/www.zens.info\/phot\/en\/?page_id=51"},"modified":"2025-07-30T10:33:05","modified_gmt":"2025-07-30T09:33:05","slug":"words","status":"publish","type":"page","link":"https:\/\/zens.info\/en\/photography\/words\/","title":{"rendered":"Words"},"content":{"rendered":"<h2><a title=\"Moon Rabbit\" href=\"https:\/\/www.zens.info\/en\/photography\/words\/the-sea-remembers-honnef\/\" rel=\"noopener noreferrer\">\u2192 The Sea Remembers &#8211; Visual Journeys to Landscapes Recalled<br \/>\n<\/a><\/h2>\n<p>Introduction by Prof. Klaus Honnef held during the exhibition opening on April 4, 2018<br \/>\nat the Kommunale Galerie Berlin in collaboration with PhotoWerkBerlin<\/p>\n<p>Technically speaking, photography is a variant of the process of visual reproduction that first emerged with the camera obscura, but in any case before the digital process asserted itself for the capture of photographic images&#8230;<\/p>\n<p>&nbsp;<\/p>\n<h2><a href=\"http:\/\/fotobuch.gnam.info\/2015\/07\/rosemarie-zens-wellenberge-des-erinnerns\/\" target=\"_blank\" rel=\"noopener noreferrer\">\u2192 Rosemarie Zens: Wellenberge des Erinnerns<br \/>\n<\/a><\/h2>\n<p>Andrea Gnam (external link)<br \/>\nin: PHOTONEWS, Zeitung f\u00fcr Fotografie, Nr. 4\/2015 (in German language)<\/p>\n<p>The theme of Rosemarie Zens\u2019 moving commemorative work, which is both aesthetically intellectually highly reflective, is her mother\u2019s escape from Pomerania before the arrival of the Russians, and her trek with her six-month-old baby, the photographer herself. Equipped with her camera and her mother\u2019s memoirs, written decades later, she takes to the roads of her earliest childhood in today\u2019s Poland, belatedly and cautiously, timidly almost in the face of what is concealed in an inaccessible layer of memory. Can visual form be given to unconscious memories so as to condense them into one\u2019s own history?<\/p>\n<p><a href=\"https:\/\/zens.info\/en\/wp-content\/uploads\/2025\/07\/Rosemarie_Zens_The_Sea_Remembers_gnam_en_Pauline-Cumbers.pdf\" rel=\"noopener noreferrer\">\u2192 English translation (PDF)<\/a><\/p>\n<p>&nbsp;<\/p>\n<h2><a title=\"Zurborn: Framing Memory\" href=\"http:\/\/www.zens.info\/en\/words\/essays\/zurborn-framing-memory\/\">\u2192\u00a0Framing Memory<br \/>\n<\/a><\/h2>\n<p>Wolfgang Zurborn<br \/>\nin: Rosemarie Zens, Journeying 66, Heidelberg 2012<\/p>\n<p>In Journeying 66 Rosemarie Zens embarks on a very special journey. Her quest to revisit Route 66 after more than 40 years is not driven by nostalgia. Instead she treats it as an experiment to see and find the traces of what she remembers from her first trip in 1966&#8230;<\/p>\n<p>&nbsp;<\/p>\n<h2><a title=\"Mosebach: Invisible City\" href=\"http:\/\/www.zens.info\/en\/words\/essays\/mosebach-invisible-city\/\">\u2192\u00a0Images of an Invisible City<br \/>\n<\/a><\/h2>\n<p>Martin Mosebach<br \/>\nin: Rosemarie Zens, Hidden Patterns, Berlin 2011<\/p>\n<p>Rosemarie Zens took on a considerable task when she set out to walk through the streets of Seoul with her camera. Of the world\u2019s ravagedcities \u2013 and there is certainly no lack of them in Asia \u2013 Seoul has been affected the most visibly. The fire storm of the Korean War swept across the city three times&#8230;<\/p>\n<p>&nbsp;<\/p>\n<nav aria-label=\"breadcrumbs\">\n            <div class=\"breadcrumb-container theme1\">\n                <ol>\n                                    <\/ol>\n            <\/div>\n        <\/nav>    <script type=\"application\/ld+json\">\n        {\n            \"@context\": \"http:\/\/schema.org\",\n            \"@type\": \"BreadcrumbList\",\n            \"itemListElement\": [\n                            ]\n        }\n    <\/script>\n   \n    <script>\n            <\/script>\n\n<p><strong>\u00a0<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u2192 The Sea Remembers &#8211; Visual Journeys to Landscapes Recalled Introduction by Prof. Klaus Honnef held during the exhibition opening on April 4, 2018 at the Kommunale Galerie Berlin in collaboration with PhotoWerkBerlin Technically speaking, photography is a variant of the process of visual reproduction that first emerged with the camera obscura, but in any [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"parent":835,"menu_order":10,"comment_status":"closed","ping_status":"closed","template":"template-text.php","meta":{"footnotes":""},"tags":[],"class_list":["post-51","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/zens.info\/en\/wp-json\/wp\/v2\/pages\/51","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/zens.info\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/zens.info\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/zens.info\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/zens.info\/en\/wp-json\/wp\/v2\/comments?post=51"}],"version-history":[{"count":3,"href":"https:\/\/zens.info\/en\/wp-json\/wp\/v2\/pages\/51\/revisions"}],"predecessor-version":[{"id":4411,"href":"https:\/\/zens.info\/en\/wp-json\/wp\/v2\/pages\/51\/revisions\/4411"}],"up":[{"embeddable":true,"href":"https:\/\/zens.info\/en\/wp-json\/wp\/v2\/pages\/835"}],"wp:attachment":[{"href":"https:\/\/zens.info\/en\/wp-json\/wp\/v2\/media?parent=51"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/zens.info\/en\/wp-json\/wp\/v2\/tags?post=51"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}